Organisation > Références bibliographiques

Bibliographie sélective

Coles, Roberta L (2009). The Best Kept Secret: Single Black Fathers. Lanham: Rowman & Littlefield.

Constantine-Simms, Delroy (ed.) (2001). The Greatest Taboo: Homosexuality in Black Communities. Los Angeles: Alyson Books.

Cremieux, Anne (2019). “From Queer to Quare: The Representation of LGBT Blacks in Cinema.” In Mark A. Reid (ed.), African American Cinema Through Black Lives Consciousness. Detroit: Wayne State University Press, p. 255-274.

Crémieux, Anne, Xavier Lemoine, Jean-Paul Rocchi (2013). Understanding Blackness through Performance. Contemporary Arts and the Representation of Identity. New York: Palgrave McMillan.

Drake, Simone C. & Henderson, Dwan K. (ed.) (2020). Are You Entertained?: Black Popular Culture in the Twenty-First Century. Durham and London: Duke University Press.

Dunning, Stefanie K. (2009). Queer in Black and White: Interraciality, Same Sex Desire, and Contemporary African American Culture. Bloomington: Indiana University Press.

Ferguson, Roderick A. (2004). Aberrations in Black: Towards a Queer of Color Critique. Minneapolis: UM Press.

Ferguson, Roderick A. (2005), “Or our normative strivings: African American studies and the history of sexuality.” Social Text, 23, p. 85-100.

Harris, Angelique (2012). “‘I’m a Militant Queen’: Queering Blaxploitation Films.” In Mia Mask (ed.), Contemporary Black American Cinema: Race, Gender, and Sexuality in the Movies. New York, NY: Routledge, p. 217-232.

hooks, bell (2013). Writing Beyond Race: Living Theory and Practice. New York, NY: Routledge.

Johnson, E. Patrick (2001). “Quare Studies, or (Almost) Everything I Know About Queer Studies I Learned from My Grandmother.” Text and Performance Quarterly, 21.1, January, p. 1-25.

Johnson, E. Patrick & Henderson, M.G. (ed.) (2005). Black Queer Studies. Durham, NC: Duke University Press.

Johnson, E. Patrick (ed.). No Tea, No Shade: New Writings in Black Queer Studies. Durham: Duke UP, 2017.

Julien, Isaac and Kobena Mercer (1998). “Introduction: De Margin and De Centre.” Screen 29 .4, Fall, p. 2-10.

Keeling, Kara (2019). Queer Times, Black Futures. New York, NY: NYU Press.

King, J.L. (2004). On the Down Low: A Journey into the Lives of “Straight” Black Men who Sleep with Men. New York, NY: Broadway.

Li, XinLing (2019). Black Masculinity and Hip-Hop Music: Black Gay Men Who Rap. Singapore: Palgrave Macmillan.

Lorde, Audre (1984). Sister Outsider: Essays and Speeches. Trumansburg: The Crossing Press.

Martin, Alfred L., Jr. (2020). “For scholars… When studying the queer of color image alone isn’t enough.” Communication and Critical/Cultural Studies, 17.1, p. 69-74.

Martin, Alfred L., Jr. (2015). “Scripting Black Gayness: Television Authorship in Black-Cast Sitcoms.” Television & New Media, Vol. 16.7, p. 648–663.

Martin, Alfred L., Jr. (2021). The Generic Closet: Black Gayness and the Black-Cast Sitcom. Bloomington: Indiana University Press.

Mask, Mia (2012). “Who’s Behind that Fat Suit? Momma, Madea, Rasputia and the Politics of Cross-Dressing.” In Mia Mask (ed.), Contemporary Black American Cinema: Race, Gender, and Sexuality in the Movies. New York, NY: Routledge, p. 155-174.

Michlin, Monica et Jean-Paul Rocchi (eds.) (2013). Black Intersectionalities: A Critique for the 21st Century. Liverpool: Liverpool University Press.

Muñoz, José Esteban (1999). Disidentifications: Queers of Color and the Performance of Politics. Minneapolis, MN: University of Minnesota Press.

Muñoz, José Esteban (2009). Cruising Utopia: The Then and There of Queer Futurity. Minneapolis, MN: University of Minnesota Press.

Nataf, Z. Isiling (1995). “Black Lesbian Spectatorship and Pleasure in Popular Cinema.” In Colin Richardson & Paul Burston (eds.), A Queer Romance: Lesbians, Gay Men and Popular Culture. London: Routledge.

Parkerson, Michelle (1987). “Answering the Void.” The Independent 10.3, April, p. 12-13.

Smalls, James (2019). “The Past, Present and Future of Black Queer Cinema.” In Mark A. Reid (ed.), African American Cinema Through Black Lives Consciousness. Detroit: Wayne State University Press, p. 275-297.

Smalls, Shanté Paradigm, co-ed. (2014). Women & Performance: A Journal of Feminist Theory 24.1: All Hail the Queenz.

Smalls, Shanté Paradigm (2011). “‘The Rain Comes Down:’ Jean Grae and Hip Hop Heteronormativity,” American Behavioral Scientist 55.1, p.86-95.

Snorton, C. Riley (2014). “On the question of ‘Who’s Out in Hip Hop’.” Souls 16.3, p. 283-302.

Stryker, Susan (2006). The Transgender Studies Reader. New York: Routledge.

Watkins, S. Craig (1998). Representing, Hip Hop Culture and the Production of Black Cinema. Chicago: University of Chicago Press.

Welbon, Yvonne (1998-2017). “African American Lesbian Produced Film, Video, and Multimedia.” http://www.sistersincinema.com/forum/lesbianfilms.html

Welbon, Yvonne and Alexandra Juhasz (2018). Sisters in the Life: A History of Out African American Lesbian Media-Making. Durham, NC: Duke University Press.